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The Word is Near You
The
Problem of Musical Illiteracy in the Church
Ephesians 5:15-20
Previous Sermon in this series: Romans
10:5-13 The Word is Near You - The Problem of Biblical Illiteracy in
the Chruch
(c) Copyright 2008 Rev. Bill Versteeg
Ephesians 5:15-20
15 Be very
careful, then, how you live—not as unwise but as
wise, 16 making the most of every opportunity, because the
days are evil. 17 Therefore do not be foolish, but understand
what the Lord’s will is. 18 Do not get drunk on
wine, which leads to debauchery. Instead, be filled with the
Spirit. 19 Speak to one another with psalms, hymns and
spiritual songs. Sing and make music in your heart to the
Lord, 20 always giving thanks to God the Father for
everything, in the name of our Lord Jesus Christ.
Brothers and sisters in Christ
This is one of those “I
wonder” sermons...
This passage calls us to wisdom knowing
that the times that we live in are not friendly to the Christian
faith. Kind of like years ago, when we freely worked with
asbestos, putting in sound insulation or thermal insulation, we even
played with asbestos minerals as kids, now we find that there is a
certain type of cancer that kills and it is all related to
asbestos. In the same way, our culture, even though it seems
innocent right now, may have in it the poisons that are potentially
destructive to the church as we have inherited it.
Last Sunday, we noted how the production
of the printing press in combination with the alphabet put the power of
knowledge into the hands of the masses shaping Western culture,
creating science, creating democracy, even shaping the theology and
practice of the Protestant church, as we noted one philosopher
historian saying “Protestantism is the first religion created
by technological innovation.” And we ask the
question, if we stop reading the word that is so freely available to
us, are we choosing to return to the middle ages kind of church where
the church was run by the elite who read and knew theology, who
dispensed grace and the church was filled with the ignorant masses who
simply received grace dolled out by the church?
This evening, I want to go a step
further. With the development of technology and off the wall
songs, as they are sometimes called, we are becoming musically
illiterate. Let me flesh that out a little.
It used to be that we had a Psalter
Hymnal, once again a product of the Gutenberg Press, and inheritance we
have received from 1453. In that Psalter Hymnal, there were
confessions, there were liturgical forms, there was the form of
subscription, and there were a good selection of psalms and hymns
complete with notes. It strikes me that that psalter hymnal
had a profound impact on us as a church. First of all, it put
our confessions in our hands every Sunday. If the sermon was
boring, we could at least read the Cannons of Dordt for some
intellectual stimulation. It was our hymn book, particular to
our denomination. It was part of our identity. And
the songs that were in it were the songs that we marched by.
They were our songs. Not only were they our songs, we often knew many
of the words, because we sang them so often, and many of us knew the
different musical parts of some of our favorite songs. I
still remember well, when the Psalter Hymnal was used, how as I
listened to those around me, I heard people singing the different
musical parts - the bases with their deep voice, the tenors
complimenting the melody and the alto doing their counter
point. Singing in church felt like singing in the choir, each
of us as we sang, including our parts had a sense of contributing to
the musical whole. Having the notes in front of us empowered
us to sing and contribute.
In short, the hymnal was part of our
identity, it empowered us, it said - this is who we are. In a
certain sense, that hymnal gave our spirit a certain denominational
identity, which made the church for many, feel like home. By
the power of printed text, the identity of the denomination was our
identity. And when we changed from the red one to the blue
psalter, and then we changed to the grey psalter, I remember how people
complained, even some times fought about it. Their identity
was at stake.
Notice what has happened.
No longer are the hymn books in our
hands and what we have replaced it with, well I wonder if it
compares. Seldom are the confessions written on the screen
behind me, and when they are, it is for a few liturgical
seconds. We don’t have the confessions in our
hands. And the less we have them in our hands, it seems the
less we identify with them. I wonder how many here can list
off the top of their head the confessions that we claim are ours.
But I also notice a loss in the songs we
sing. Yes we sing new songs and many of them are wonderful,
but they can no longer be called our songs, or the songs of our
denomination as we march together. Instead of the songs of
the denomination creating the identity of its people, now the songs of
a North American music market driven by market and profit
considerations are shaping the songs of the people regardless of their
spiritual heritage or identity. And the really good songs, we
might sing for a few years, but they having been sung maybe a few times
too often, and being somewhat shallow in theological richness, they
lose their place in our worship. The net effect is that songs
that have the potential to really shape our identity over decades are
songs that never root in our identity because they are always being
replaced by the latest songs. We can no
longer sense that we are in a Reformed church by the songs we
sing. We might as well be in any other denomination
or church.
And let me go even one step
further. We no longer have the notes in front of
us. We no longer are empowered to sing a special part to
contribute to the congregational choir unless that special part is
memorized or if we have the unique musical skill of harmonizing
meaningfully on the fly. Our music teams notice at times that
people choose not to sing. Not only is it very discouraging
for music leaders. I wonder if it is because the congregation
feels like its singing is less meaningful? Less part of the
choir? Less part of who we are as Christians with a certain
denominational identity?
Instead of having an identity shaped by
a few to the many as with published books, now it seems that our
identity is from the many to the many. No longer can we
simply trust what has been given to us, we have to become careful
judges of the music that comes our way.
I wonder sometimes where this is
going? Like asbestos, are we taking something in that has the
power to shape our future in a very negative way? Or is it
good? Is it good that in our singing we are hardly different
from the church down the road and our confessional ignorance allows us
to think that there is very little difference between us and
them? Are we continuing in the footsteps of our fathers who
were willing to die for what they believed? Or for lack of
identity because we no longer even have a set of common hymns, we no
longer have notes, and we hardly read our confessions, are we becoming
luke-warm, unwilling to stand for what our ancestors died for?
Andrew Wilson-Dickson in his book
“The story of Christian Music - from Gregorian chant to Black
Gospel” notes that it was the published hymnal that created
congregational singing. Are we, by not using a hymnal,
choosing, unintentionally to return to a time when music was performed
or chanted by the professionals, while the congregation simply watched,
received grace dolled out to them in small controlled
amounts? Are we losing our heritage because we are losing our
hymnal? If as some studies have demonstrated, our young
adults are now looking for something secure to hang their spiritual
futures on, is one of the most needed things, a psalter hymnal?
Now I haven’t pointed out all
of the positives of the use of audio visual in services, and I suspect
some of you want to rise up and point that out. I feel have
always been in favor of innovation, of bringing the gospel in a new a
fresh way. But as I watch history, as I watch what is
happening...
In
wonder...
Comments and questons.
(NIV) Scripture taken from the HOLY
BIBLE, NEW INTERNATIONAL VERSION. Copyright (C) 1973, 1978, 1984
International Bible Society. Used by permission of Zondervan Bible
Publishers.
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